Author: Indo American News

  • Shri Sita Ram Foundation Hosts 14th International Diwali-Dussehra Festival

    Shri Sita Ram Foundation Hosts 14th International Diwali-Dussehra Festival

    HOUSTON: The Shri Sita Ram Foundation, USA invites the Houston community to celebrate the 14th International Diwali-Dussehra Festival on Saturday, October 4, 2025, at Constellation Field in Sugar Land, Texas. This year’s celebration promises a vibrant blend of cultural entertainment, food, parades, performances, and spectacular fireworks. 

    Diwali, the “Festival of Lights,” is one of the most cherished festivals of India, symbolizing the triumph of light over darkness and knowledge over ignorance. It is celebrated by Hindus, Sikhs, Jains, and Buddhists — more than a billion people worldwide. 

    “Diwali is more than a festival for us,” said Dr. Arun Varma, founder of the Shri Sita Ram Foundation. “It represents good triumphing over evil and the idea that the world is one family. We encourage everyone to celebrate together, regardless of background or belief.” 

    Highlights of the 14th International Diwali-Dussehra Festival 2025 

    • International Guest Performance: This year’s festival will feature a special appearance by MC YOGI, the internationally acclaimed hip-hop artist and yoga teacher known for blending modern beats with stories of Indian culture, yoga philosophy, and ancient wisdom. His dynamic performances have captivated audiences worldwide, making his Houston debut a unique cultural experience. 
    • Grand Parade: More than 40 floats showcasing dance, music, and artistry. This year’s theme is the Maha Kumbh, celebrated earlier this year, featuring a stage play, a Shiva Tandav dance, and a float on the role of the akhadas. 
    • Family Fun: Children can enjoy a dedicated play area, games, and a costume contest (ages up to 14), along with youth performances in singing, dancing, and music. 
    • Cultural & Religious Traditions: Chanting of the Sundarkand, a traditional Ram Leela play, and the Maha Aarti (prayers to Lord Ram). 
    • Vibrant Marketplace & Food: Local vendors will offer handicrafts, art, and authentic, mouth-watering Indian cuisine. 
    • Grand Finale: The festival concludes with fireworks and Ravan Dahan — the only large-scale burning of Ravan’s effigy in Texas. 

    The Shri Sita Ram Foundation welcomes Houstonians of all backgrounds to experience this unique celebration of light, culture, and community. 

     

  • Shri Sita Ram Foundation Hosts the 14th International Diwali-Dussehra Festival in Houston

    HOUSTON: The Shri Sita Ram Foundation, USA invites the Houston community to celebrate the 14th International Diwali-Dussehra Festival on Saturday, October 4, 2025, at Constellation Field in Sugar Land, Texas. This year’s celebration promises a vibrant blend of cultural entertainment, food, parades, performances, and spectacular fireworks. 

    Diwali, the “Festival of Lights,” is one of the most cherished festivals of India, symbolizing the triumph of light over darkness and knowledge over ignorance. It is celebrated by Hindus, Sikhs, Jains, and Buddhists — more than a billion people worldwide. 

    “Diwali is more than a festival for us,” said Dr. Arun Varma, founder of the Shri Sita Ram Foundation. “It represents good triumphing over evil and the idea that the world is one family. We encourage everyone to celebrate together, regardless of background or belief.” 

    Highlights of the 14th International Diwali-Dussehra Festival 2025 

    • International Guest Performance: This year’s festival will feature a special appearance by MC YOGI, the internationally acclaimed hip-hop artist and yoga teacher known for blending modern beats with stories of Indian culture, yoga philosophy, and ancient wisdom. His dynamic performances have captivated audiences worldwide, making his Houston debut a unique cultural experience. 
    • Grand Parade: More than 40 floats showcasing dance, music, and artistry. This year’s theme is the Maha Kumbh, celebrated earlier this year, featuring a stage play, a Shiva Tandav dance, and a float on the role of the akhadas. 
    • Family Fun: Children can enjoy a dedicated play area, games, and a costume contest (ages up to 14), along with youth performances in singing, dancing, and music. 
    • Cultural & Religious Traditions: Chanting of the Sundarkand, a traditional Ram Leela play, and the Maha Aarti (prayers to Lord Ram). 
    • Vibrant Marketplace & Food: Local vendors will offer handicrafts, art, and authentic, mouth-watering Indian cuisine. 
    • Grand Finale: The festival concludes with fireworks and Ravan Dahan — the only large-scale burning of Ravan’s effigy in Texas. 

    The Shri Sita Ram Foundation welcomes Houstonians of all backgrounds to experience this unique celebration of light, culture, and community. 

     

  • ‘Jugnuma’: A Riveting Flight of Fantasy

    By Renuka Vyavahare

    Story: Set in the late 1980s, Dev (Manoj Bajpayee), an orchard owner, lives with his family in a picturesque house nestled in the Himalayas. Each morning, he steps into his workshop, straps on a massive pair of handcrafted wings, and casually heads to a nearby cliff—where he takes flight like a bird.

    Review: This surreal ritual is surprisingly normalized in the household. His wife (Priyanka Bose), and children— a teenage daughter (Hiral Sidhu), and a younger son (Awan Pookot) —accept his flying routine without much fuss. They even discuss the wings with curiosity, as if they were just another part of life in the mountains.

    While Dev soars above the orchards during his frequent flights, he entrusts the day-to-day operations of the lush estate to his trusted manager (Deepak Dobriyal), who oversees the workers and assigns tasks. With no phones, television, or internet, the family of four embraces a slower, more intimate rhythm of life. Their evenings are spent hosting friends for intimate dinners, singing classical songs, lying under the open sky to stargaze, chasing fireflies, and listening to the whispers of the wind and mountains around them. As you get lost in the bewitching charm of this idyllic life, the orchard mysteriously catches fire. Dev suspects a foul play and holds his staff accountable. Villager also doubt the nomads-monks with horses who are seen in the region. Who wants Dev out

    At its heart, Raam Reddy’s fantasy-fuelled mystery is a tender love letter to the mountains and the unhurried life — the one we traded for ambition long ago. Unlike many indie films, Reddy’s storytelling doesn’t succumb to self indulgence or obscurity. Though open to interpretation, the narrative never glorifies the abstract or slips into aimless nothingness. It’s a slow burn, yes, but never stagnant — you remain hooked as Dev navigates the complexities of an orchard in crisis, and the meaning of ownership.

    The film is technically sound. Sunil Borkar’s cinematography is pure magic, capturing the beauty and mystery of the hills. The sound design and VFX are equally accomplished — and remarkably, the flying never feels absurd or out of place, which is a rare feat. The story does not digress either. Performances are equally competent with Manoj Bajpayee bringing in a certain warmth even to his hostility and doubt. Deepak Dobriyal, Priyanka Bose, Hiral Sidhu and Tillotama Shome light up the screen with their presence, too..Don’t let its fantasy or experimental nature deceive you. Fascinating mystery with a touch of magic realism give this whodunit an edge. Watch it for its mesmerising storytelling and scenic beauty. Reminiscent of a soothing and suspenseful bedtime story, you are bound to remember this film for a long time. — ToI

  • HTxDiwali 2025 Lights Up POST Houston with Dance, Music, and Community Spirit

    HTxDiwali 2025 Lights Up POST Houston with Dance, Music, and Community Spirit

    HOUSTON: On September 13, 2025, the city of Houston came alive with color, rhythm, and festive energy as T2 Dance Company hosted the first-ever HTx Diwali celebration at POST Houston in the heart of downtown. Drawing over 5,500 attendees, the free event showcased the spirit of Diwali – India’s festival of lights – through dance, music, wellness, food, and, above all, community.

    Founded in 2020 by Anisha Gupta and Sonali Patel, T2 Dance Company was created to spread the joy of movement, wellness, and culture through the vibrant energy of Bollywood dance. Teaching students ages 3 to 70+, T2 makes dance accessible to all, focusing on expression, empowerment, and joy. Alongside associate directors Ritu Patel and Dhea Patel, the co-founders have built T2 into a group where women connect, uplift one another, and help those in need by giving back through monthly charitable donations.

    The HTx Diwali celebration reflected this vision. The day was filled with classes that welcomed all ages and backgrounds. Black Swan Yoga opened with a calming mindfulness session, Houston Bhangra Academy energized the crowd with Punjabi moves, and T2 Dance Company led Bollywood and Garba classes, bringing India’s most beloved dance styles to Houstonians.

    POST’s X Atrium transformed into an authentic Indian market, buzzing with over 25 vendors offering handmade crafts, jewelry, outfits and Diwali decor. Guests explored a Creative Crafting station with Omnaments, a Medical Mela, a vibrant Kids’ Korner, henna artists, and a Desi Dhaba serving up mouthwatering cuisine from Mirch Masala and Tandoori Hut. The aromas of festive food added warmth and flavor to the already lively atmosphere.

    In the afternoon, the Diwali Baraat – hosted by T2 Dance Company – featured a festive rickshaw, live dhol player, and an energetic flash mob that had the crowd on its feet, dancing and cheering together. Soon after, the excitement shifted to a dazzling fashion show presented by Dakshin Fashion, taking the audience on a colorful “tour of India” through traditional and contemporary styles.

    As evening set in, the celebration moved to POST’s rooftop, where Houston skyline provided the backdrop for a spectacular Diwali show. High-energy performances by T2 Dance Company, Naach Houston, ParDesi Pulse, Houston Bhangra Academy, and Doonya lit up the night, in addition to a song where Aarav Chauhan’s soulful vocals were paired with the mesmerizing flute melodies of Rayansh Pande. Together, the performers showcased Houston’s immense South Asian talent, unified by the joy of sharing culture and positivity.

    The night concluded with a Bollywood rooftop dance party led by DJ Sandeep Sulhan. Under the stars, families and friends of all ages came together, dancing against the sparkling skyline and creating unforgettable memories.

    HTx Diwali 2025 highlighted Houston’s cultural richness and the growing demand for inclusive celebrations. More than a festival, it was a platform where culture, connection, creativity, and community came together – embodying Diwali’s timeless message of light triumphing over darkness. With T2 Dance Company’s dedication to joy and giving back, HTx Diwali has established itself as one of Houston’s most anticipated cultural events where everyone can come together to Shine Their Light over Houston.

  • Ishu Wadhwani

    Ishu Wadhwani

    HOUSTON: Ishu Wadhwani, beloved wife, mother, grandmother, and friend, passed away peacefully on 11th September 2025 at home, surrounded by her family. Born in Calcutta, India, and settled in Houston, Texas since 1980, she lived an extraordinary life marked by resilience, love, and generosity. Together with her husband, she ran two successful businesses, A.I.W Inc. and Applied Field Data Systems Inc., specializing in geospatial systems integration and data management services for nearly 40 years.

    Ishu was a strong believer in education and real-life application.  Subsequently, they provided an endowment to the Global Information System (GIS) Program at Lone Star College-Cyfair to provide scholarships for students in need.

    She traveled the world, visiting every continent and creating treasured memories. To her, travel was about learning others personal stories, broadening her perspective, and the joy of shared adventure with family and friends. Her grandchildren will especially remember her booming laughter and her lessons on strength, integrity, and kindness.

    She lived her life with deep faith and embodied Chardikala — a Sikh principle to live life optimistically and positively even in hardships.

    She is survived by her husband Ashok; her son, Sanjeev & his wife Shuchi and their children, Ishan and Rohan and her daughter, Sabina and her husband Amit.

    Nanak Naam Chardi Kala, teraa bhane sarbat da bhala

  • Chandra Nagamallaiah

    Chandra Nagamallaiah

    DALLAS: For the first time, the family of Chandra Nagamallaiah is speaking publicly after his murder and beheading outside a Dallas motel last week — offering a portrait of who he was, even as police continue their investigation and the case gains national attention.

    Chandra, 50, was born and raised in Bangalore, India. His family said his drive to work hard and build something meaningful began at a young age. He started with a small retail store selling baby and children’s supplies, later running two restaurants before moving to the United States in 2020 at the encouragement of his sister.

    “He always dreamed of being in the hospitality business,” the family wrote. “And his passion was so strong that it inspired his son, Gaurav, to want the same future.”

    Nagamallaiah first worked at a motel in San Antonio, then moved to Dallas in 2021, where he began working at the hotel where he was later killed. His family said he cherished his work, his walks in nature, and time spent with children and relatives. “But beyond his work, Chandra was known for the kind of person he was,” the family’s statement continued. “He had a smile that could light up a room, a heart that always put others before himself,
    and a spirit that encouraged young people to dream bigger.”

    The family added, “We want the community to remember Chandra for the way he lived, not the way he was taken from us. He should be remembered as the man who worked tirelessly, who always had a kind word and a smile, and who never hesitated to help others in need.”

    A GoFundMe campaign to support the family has raised more than $350,000 as of this week, reflecting the
    broad outpouring of support. Still, the family says the hardest part is “learning to live with the emptiness.”

    “He may not be here physically, but his presence is still felt every day — in the memories, in the lessons he taught,
    and in the love he gave so freely,” they wrote. “We’re trying to pick up the pieces and move forward, but it’s not easy. What gives us strength is knowing how much he meant to people and how deeply he’ll always be remembered.”

    Nagamallaiah often spoke of building something lasting in the hospitality industry — even hoping to own a hotel one day and create a foundation his son could continue. “That dream didn’t leave with him — it lives on in Gaurav,” his family said. “Gaurav has said he wants to honor his father’s memory by following in his footsteps, building a career in hospitality, and working hard to achieve the success his dad envisioned. His hope is to make his father proud by carrying that torch forward.”

    Police have charged 37-year-old Yordanis Cobos-Martinez with capital murder in Nagamallaiah’s death. According to a probable cause affidavit, the two argued after Chandra told him and another employee not to use a broken washing machine at the motel. Investigators say Cobos-Martinez grew angry when Chandra asked a female coworker to translate his instructions.

    The brutal killing has drawn attention beyond Dallas. President Donald Trump weighed in on the case Sunday, adding a national spotlight to a tragedy that has left Chandra’s family struggling to cope. He underscored how Cobos-Martinez wasn’t a U.S. citizen and that he would be prosecuted to the fullest extent of the law. Cobos-Martinez is being held without bond on an ICE hold at the Dallas County Jail. — WFAA ABC News

  • Chinmaya Namavali Puja and A Special Unveiling at Chinmaya Prabha

    Chinmaya Namavali Puja and A Special Unveiling at Chinmaya Prabha

    By Ujwala Bhat

    Photos by Bharat Rao and Ashutosh Kak

    On September 7, 2025, Chinmaya Mission Houston commenced a new year of Vedantic learning for the Bala Vihar children, and enthusiastic families gathered at Chinmaya Prabha to honor the enduring legacy of a spiritual movement founded 75 years ago by Pujya Swami Chinmayananda.

    The Chinmaya Movement began in 1951 when Pujya Swami Chinmayananda gave lectures on the Upanishads at a Ganesha temple in Pune, India, to a small gathering. Over the decades, it has evolved into a global spiritual movement encompassing more than 350 centers worldwide.

    On the auspicious opening day of Bala Vihar at Chinmaya Mission Houston (CMH), a beautifully decorated Saraswati Nilayam Hall came alive to welcome a new year of spiritual learning. Children, seated together with their teachers by grade, filled the hall with eager smiles and exuberant energy as they reunited with friends and immersed themselves in the sacred atmosphere. Pujya Acarya Gaurang Uncle then addressed the children and encouraged them to learn and live the values taught in Bala Vihar. His words set the positive and motivational tone for the year ahead.

    Guided by their Bala Vihar teachers, the children then performed the Chinmaya Namavali puja with sincere devotion. In the adjoining Smriti Hall, adults watched the children perform the puja with quiet reverence as it was broadcast on the big screen. At the heart of the celebration was the theme Chinmaya Amrit Mahotsav with the highlight—a recitation of the Ashtotthara Shatanamavali, invoking Pujya Gurudev’s 108 divine names—evoked a deep sense of connection, drawing the audience into the chanting. This was followed by Chinmaya Mission pledge and the Vedic Aarti concluding the puja.

    Following that important opening day celebration of Bala Vihar, there was another special ceremony in Chinmaya Prabha on September 14, 2025. In honor of Acarya Darshana Nanavaty who nurtured the outstanding Bala Vihar program in Houston since 1982 and created the teachers’ handbooks for the global Bala Vihar curriculum, Acarya Gaurang Nanavaty unveiled the new name, “Acharya Darshana Nanavaty Chinmaya Amruta Balamandir” for the building where Acarya Darshana Aunty had dedicated her entire life to the children of CMH. The large Chinmaya family felt blessed and grateful during the ceremony. It was a fitting tribute to the creative vision and tireless seva of Pujya Darshana aunty who empowered thousands of Bala Vihar children with scriptural values until her last breath in 2024.

    Following the guidance of Pujya Darshana Aunty, CMH remains dedicated to ensuring that future generations have direct access to the timeless teachings of its founder, Pujya Swami Chinmayananda. What makes CMH a sought-after destination for spiritual education among Indo-American families is its unwavering commitment to quality education in spirituality and exemplary discipline. Both Bala Vihar sessions are at full capacity, with a growing waitlist of parents eager to enrol their children.

    In addition to Bala Vihar, Chinmaya Mission Houston offers immersive Vedantic learning through study groups, Jnana Yajnas, and spiritual camps. Adults and householders engage in Satsangs and discussion circles that provide deep insights into Vedantic texts, fostering both personal growth and vibrant community gatherings.

    For more information about Chinmaya Mission Houston, Sri Saumyakasi Sivalaya, and its activities please visit www.chinmayahouston.orgwww.saumyakasi.org or call temple 281 568 1690 or Jay Deshmukh 832 541 0059 or Bharati Sutaria 281-933-0233

  • Building Bridges: Fort Bend Interfaith Dinner Highlights Dialogue and Compassion

    Building Bridges: Fort Bend Interfaith Dinner Highlights Dialogue and Compassion

    More than 100 people came together for the annual Interfaith Dinner and Dialogue, hosted this year by the Zoroastrian Center in Houston and sponsored by the Fort Bend Interfaith Council. The evening gave people of all faiths a chance to break bread and learn from one another.

    By Juhi Varma

    Good news can feel scarce these days. Assassinations, terrorist attacks and tariffs dominate the news, making violence and division seem like the defining themes of our time. Stories of kindness rarely carry the same weight.

    But a recent visit to the Zoroastrian Center in Houston was a reminder that, while compassion rarely makes headlines, it is still very much alive in the world.

    More than 100 representatives from local faith and sub-faith communities came together for the annual Interfaith Dinner and Dialogue, sponsored by the Fort Bend Interfaith Council.

    The spacious event hall was set with 12 tables, each holding eight or nine chairs. From the start, it was clear this wasn’t going to be an event where guests sat listening passively, half-focused on the (very impressive) snack tables outside. Instead, participation was the point.

    Seats were carefully assigned, each table was arranged to include people of different religions, ensuring that Fort Bend County’s colorful diversity of faiths was reflected in every conversation.

    “In a time when the world is often shaken by religious conflict, this gathering served as a powerful reminder of the importance of dialogue,” said Geetha Ravula, founder of non-profit organization Ashirwad A Blessing Temple. She has served on the board of the Fort Bend Interfaith Council for six years.

    To help spur meaningful dialogue, the organizers provided the attendees with prompts.

    It felt a bit like a workshop or a breakout session. We went around the table, answering questions, listening to each other, and noticing the common ground we shared. On paper, it might sound contrived, but in the room, the experience was genuine and unexpectedly moving.

    “When we meet and have a dialogue with openness and sincerity, our differences become pathways to connection rather than division,” Geetha ji said.

    Pastor David Sincere served as the master of ceremonies

    “It was fascinating to learn about the things we have in common,” one attendee shared. “But it was also interesting to hear about the practices and beliefs that are unique to certain traditions.”

    On each table lay a sheet of paper with a list of questions: What is your favorite festival? What does service look like in your religion? Share something you admire about another faith. The exercise was simple but powerful — it encouraged participants not only to learn about each other’s traditions but also to recognize how much they shared. By the end, I felt as though a heavy curtain had lifted, revealing a world without borders, prejudice, or religious hostility. For the purpose of this story, I’ll focus on just the first question we answered. One question is enough to illustrate the larger point.

    What is your favorite festival from your faith?

    Nazi Khadivian (Bahai Community Of Sugar Land & Fort Bend):  My favorite one is Nowruz  on 21 March. It means ‘new day’. It is a time of change. We celebrate the beginning of the spring. Everything grows new. We have great parties—huge halls, thousands of people. We share our calendar (partially) with Zoroastrians, because this is a Zoroastrian festival we adopted. So, Iranians were Zoroastrian before the attack from Arabs.

    Lisa Lauve (St. Laurence Catholic Church): Always, as a child, being Catholic, Easter was important. But as I’ve gotten older, I’ve really come to appreciate the death and resurrection more deeply. It’s not just a church service anymore. We all go through times when we don’t know what’s happening, when everything feels uncertain. And then, somehow, there’s resurrection. I think age shifts your focus—you begin to see that cycle more clearly.

    Juhi Varma (your reporter): We celebrate a lot of festivals—Diwali and Holi are big ones—but my favorite is Ganesh Chaturthi, especially in my state, Maharashtra. For ten days, families bring an idol of Ganesh into their homes, decorate an altar, and everyone comes to visit. On the last day, we take the idol—usually eco-friendly now—to the sea and immerse it. It’s a way of saying goodbye until next year.

    Yasmin Engineer (Zoroastrian Association of Houston): There is a Parsi tradition called the Haft-Sin (or “Haft Seen”) table, associated with Nowruz where seven items starting with the “S” sound/letter are placed on a table, all symbolizing different things. Sabzi which means greens symbolize rebirth and renewal. Samanu,  a pudding for wealth and fertility. Sib, that is apple for beauty and good health. Seer, garlic for health. And more.

    John Barzilla (St. Mark’s Episcopal Church): Mine would have to be Christmas. All the Sicilian families come together, and the women make fig cookies and all sorts of dishes. It turns into this big gathering where you end up seeing relatives you didn’t even know you had—because if you’re Sicilian, you’re related to just about everyone.

    Davis Tolman (Thoreau Unitarian Universalist Congregation) We have a tradition called the water ceremony. It’s usually in late August when people come back after summer. We all bring water from a meaningful personal source to church, it’s poured into a little hole, mixed together.  It’s kind of like a symbolic homecoming.

    Jessica Leavitt (The Church of Jesus Christ of Latter-Day Saints): For me, it’s General Conference. All the members around the world participate at the same time. If you’re in Salt Lake, you can go in person, but most people watch the broadcast. It happens twice a year. Our Prophet and some of the apostles speak to us. Since we believe in living prophets, it’s really meaningful—we get to hear their words directly.

    Festivals and traditions take many forms, but they all share common threads: a sense of community, reflection, renewal, and connection.

    “Each faith carries profound wisdom that elevates our spirit, and together, we weave a vibrant tapestry that reflects the one Divine Source from which we all originate,” Geetha ji said. Geetha Ravula has been a representative of Hindus of Greater Houston for many years.

    What is the Fort Bend Interfaith Council?

    The Fort Bend Interfaith Council was created to foster meaningful connections among faith communities. Each year, it sponsors three signature events: an Interfaith Thanksgiving Service in November, a Martin Luther King Youth Day of Service in January, and the Interfaith Dinner and Dialogue.

    Faiths represented included Baha’i, Muslim, Buddhist, Methodist, Hindu, Baptist, Ismaili Muslim, Jain, Jesus Christ of Latter-day Saints, Sikh, Catholic, Unitarian Universalist, and Zoroastrian.

  • TCC TAPED BALL SUMMER T10 PROF 2025 | WINNERS: STYX | RUNNERS-UP: MASTERS

    TCC TAPED BALL SUMMER T10 PROF 2025 | WINNERS: STYX | RUNNERS-UP: MASTERS

    Champions: STYX

    STYX Crowned T10 Champions with Dominant Final Performance

    HOUSTON: STYX produced a commanding display in the professional T10 final for Divn II teams against Masters, winning by 42 runs to seal the championship. After winning the toss and electing to bat, STYX posted 113 for 6 in their 10 overs, powered by a blistering 38 from Varun Jaswal and 29 from Debloke Maitra, with vital support from Aveg Kadian, Yash Patel and Debasish Das.

    Runners Up: Masters

    Masters faltered in the chase as STYX’s bowlers turned on the pressure. Dharmesh Patel, Aarnav Patel, and Naveen Kumar Reddy each claimed two wickets, while Ramesh, Vinay Kumar Pillai, Aveg Kadian, and Vinay Padala applied tight control. A highlight in the field came when Aveg Kadian pulled off a superb catch to dismiss Milin Patel, swinging momentum firmly in STYX’s favor. Masters were restricted to 71 for 9, handing STYX a comprehensive victory and the championship title.

    The tournament showcased STYX’s all-round strength, depth and dominance across the series. Varun Jaswal was named Player of the Match, Debloke Maitra earned Player of the Series honors, and Debasish Das was recognized as Best Wicketkeeper of the Series. Strong performances across the campaign from Aarnav, Vinay Padala, Naveen, Ramesh, Yash Patel, Vinay Kumar Pillai, Dharmesh, Aveg, and Tarakaram highlighted the team’s balance, while contributions from Sudhir, Sanjiv, Vinay Patel, Adi, and Devjit in the league stages proved crucial in the road to the final. STYX’s triumph was a true team effort, underpinned by fearless batting, clinical bowling, and sharp fielding.

    The victory was followed by a vibrant presentation ceremony, organized by Jagadish. Captain Debasish Das and VC Vinay Kumar Pillai received the Winners’ Trophy for STYX, while the Runners-up Trophy was collected by Masters captain Arun Anthony. Dinesh, the co organizer was thanked for his volunteering activity in scheduling of the tournament.

    Varun from STYX was the MOM for the final for a match winning 38 runs. Debloke from STYX was named MVP of the tournament for his exceptional performance.

    Tournament award winners were. Narsimhareddy from Telge Tigers CM  got best batsman with 135 runs, Hashan from SLL got best bowler with 13 wickets. Debashish from STYX got the best wicketkeeper with 18 dismissals. Sandeep from Telge Tigers CM  got Best All Rounder with 112 runs and 6 wickets. Hashan from SLL and Santhi Vardhan from Rodeo CC received special awards for Hat trick.

    From the STYX team: “We would like to congratulate and thank Masters team for the excellent competition and also take this opportunity to thank Jagdish, Dinesh and the organizers for the most well-managed and competitive taped ball tournament in Houston”.

    Cric clubs score card is https://cricclubs.com/viewScorecard.do?&matchId=2677&clubId=8675

    YouTube link is at https://www.youtube.com/watch?v=1bMtv5AzJio&t=0s

    Report on TCC Taped Ball website is at https://triggerscricket.com/?p=1110

  • Sewa International’s 5th  Annual Charity Golf Event Triumphs with Resounding Success

    Sewa International’s 5th Annual Charity Golf Event Triumphs with Resounding Success

    HOUSTON: Sewa International’s annual charity golf tournament was held on September 7th in honor of 9/11, marking its fifth successful year at the picturesque Wildcat Golf Club in Houston. Anup Bhasin, Joint Coordinator of Sewa International’s Houston Chapter, warmly welcomed the players and guests. The ceremonial tee-off was led by Judge Christian Becerra, presiding judge of the 434th District Court in Fort Bend County, who has been a steadfast supporter of Sewa for over five years. He encouraged everyone to continue backing the organization’s impactful work.

    The tournament followed a four-person scramble format and drew 19 competitive teams from across Houston. Among the standout participants were an all-women’s team, a team from the Pearland Police Department, a group of high school girls, and a team featuring Raveesh Malhotra, backup astronaut for India’s first space mission. Sewa once again partnered with Backswing Golf Events to host the fan-favorite “Beat the Pro” challenge.

    Competition was fierce, with teams vying for top honors. The award ceremony began with remarks from Madanji Luthra, Vice President of the Sewa Houston Chapter, who recounted Sewa’s rapid and coordinated response to the recent Texas floods. Within just ten days, over 100 volunteers from the Houston, Austin, Dallas, and San Antonio chapters mobilized to provide aid—managing centers, clearing debris, and directly assisting underserved families. Sewa teams worked hand-in-hand with the Texas Division of Emergency Management, VOAD, and local partners to deliver food, water, hygiene supplies, and medical care to displaced residents.

    Sewa LEAD youth members Anoushka Bhasin and Mahathy Chintalapati served as emcees for the ceremony, where awards were presented by event sponsors Leena Bhasin, owner of the Law Office of Leena Bhasin—a prominent firm specializing in immigration and family law—and Mahesh Jadhav, Co-founder and Partner at Navigature.

    The entire event was thoughtfully planned and executed by a dedicated team of Sewa volunteers, with high school students playing a key role. On a beautiful late summer day, they came together to support a meaningful cause. Proceeds from the tournament will benefit Sewa’s ongoing service projects in Houston, including flood relief efforts focused on underserved communities.

    This year’s event, which saw a record number of participants, was the result of months of detailed planning and tireless effort by the organizing team led by Anup Bhasin and Vijay Ramu. Looking ahead, they aim to grow the tournament’s reach and impact even further.

    Sewa International extends heartfelt gratitude to Judge Becerra, sponsors Navigature, Law Office of Leena Bhasin, Deep Foods, Diyendu Singh, and Qoros; supporting organizations Manabadi, Sansar Catering, and LTSFA; all participating players; and the many committed volunteers who made this event a resounding success.

  • JLF Houston 2025: A Mighty Lineup of Thinkers, Writers & Ideas

    JLF Houston 2025: A Mighty Lineup of Thinkers, Writers & Ideas

    HOUSTON: The 8th edition of JLF Houston, produced by Teamwork Arts, unfolded from September 5–7, 2025, across four of the city’s most iconic venues—in association with the Consulate General of India, Houston, Asia Society Texas, Inprint, Rothko Chapel, The Museum of Fine Arts, Houston, and, Eternal Gandhi Museum Houston. As always, this edition celebrated literary thought and the indomitable spirit of dialogue.

    This year’s edition featured an eclectic line-up of writers, thinkers, and changemakers, including Rob Franklin, Martin Puchner, Amish, Pria Anand, Chitra Banerjee Divakaruni, Guru Madhavan, Andrew Quintman, and Shekhar Kapur. Their sessions spanned conversations on mythology, neurology, cinema, race, culture, and the future of storytelling, offering audiences an expansive window into global narratives. The festival opened on September 5 with inaugural addresses at The Museum of Fine Arts, Houston, by Gary Tinterow (Director, The Museum of Fine Arts, Houston), Sanjoy K. Roy (Managing Director, Teamwork Arts), Suraj Dhingra (Producer, JLF USA), and D.C. Manjunath (Consul General of India in Houston). They welcomed audiences and set the stage for three days of dialogue, creativity, and cultural exchange. The inaugural session was followed by Mr. India: A Shekhar Kapur Medley, where Shekhar Kapur, in conversation with Sunanda Vashisht, reflected on his cinematic journey and the power of visual storytelling.

    On September 6, the festival opened at Asia Society Texas – highlights included Reimagining Legacy: The Epics and The Contemporary, in which celebrated writer Amish, along with Ragini Tharoor Srinivasan, discussed  his work in historical and mythological fiction; The Storyteller Code that featured Shekhar Kapur and Martin Puchner in conversation with Chi Rainer Bornfree, exploring the evolution of narratives in an age of algorithms and artificial intelligence; and Between Worlds: Race, Power, Culture, Selfhood which saw Chitra Banerjee Divakaruni and Rob Franklin, in dialogue with Tayyba Kanwal, unpack issues of identity, privilege, and belonging.

    The final day, September 7, began with a meditative session at the Rothko Chapel. Morning Music and Poetry Reading featured Poet Laureate Reyes Ramirez and young voices from The Fay School, alongside performances by Aditya Prakash, Dr. Rohan Krishnamurthy, and Sruti Sarathy, blending verse and classical music in a moving experience. The festival concluded that evening at the Eternal Gandhi Museum Houston with Unfolding Dharma, where Amish, in conversation with Sanjoy K. Roy, reflected on the philosophical underpinnings of dharma and its relevance in contemporary society, offering audiences a finale resonating with finding harmony in discordant times.

    From powerful conversations to immersive performances, JLF Houston 2025 reaffirmed its ethos of fostering cross-cultural dialogue and celebrating the transformative power of ideas. With its eighth edition, the festival continued to strengthen JLF USA’s legacy as a dynamic space where literature and thought transcend borders, inspiring communities and forging meaningful connections.

  • Commentary: Is India a ‘Tariff King’? Not Really

    Commentary: Is India a ‘Tariff King’? Not Really

    By Mohan Kumar

    Former Indian Ambassador and Director General of Jadeja Motwani Institute for American Studies

    There is a widespread but fallacious perception that India’s tariffs are inordinately high. There are subjective factors when it comes to a country like livability, public courtesy, or even how foreigners are welcomed. But tariffs are quantifiable and there should really be no place for subjectivity. So, let us consider the facts in the case.

    Before we do that, however, it might be useful for the average reader to know as to what function tariffs perform in a low-income developing country like India, as opposed to say, a high-income developed country like the United States of America. Traditionally, low-income developing countries use tariffs for two reasons: one, to protect their domestic industry and two, to gain revenue from it. Protection of domestic industry is an accepted argument by economists all over the world, especially if the industry is an infant one and the country needs to develop an industrial base. Then, there is the revenue gaining function, which is illustrative of a country’s duties on alcohol or luxury motorcycles, for instance.

    India’s tariffs, which were high in the 1980s, were brought down significantly since the 1991 reforms were initiated and during the negotiations related to the Uruguay Round, which led to the establishment of the World Trade Organization (WTO). Since then, the secular trend in India has been one of gradual reduction of the applicable tariffs year after year.

    From a technical point of view, there are two kinds of tariffs that countries have. One is applied tariffs, which as the name indicates is the actual tariff (normally ad valorem) imposed at the border when a foreign good enters a country.

    The other one is bound tariffs, which is the maximum tariff that a country can impose on a foreign good from a legal obligation arising from its most-favored-nation (MFN) commitments to the WTO.

    It goes without saying that the tariff war initiated by the U.S. is in violation of its commitments under the WTO agreements. But then, the WTO itself has been moribund for a while. It is also worth noting that tariffs cannot be the same for all countries. It is a truism that low-income developing countries will have higher tariffs (for reasons mentioned above) compared to G7 countries.

    So, where does India figure in all of this? When India is judged on tariffs, there are two parameters which are used. One is simple average tariffs, and the other is trade-weighted tariffs. If you use the former metric, India’s tariff does seem high (15.98 percent). But this is in many ways academic because for most of the goods that come into the Indian market, it is the trade-weighted applied tariff that matters. And the trade-weighted tariff that India maintains is a very respectable 4.6 percent. This level of tariff gives the lie to claims that India is somehow a tariff king. Simple averages distort the picture since they treat all products alike regardless of the trade volumes. So, why is there such a big difference between India’s simple average tariff and its trade-weighted tariff?

    India does maintain relatively high tariffs in agriculture and automobiles. In both these cases, the main purpose of the tariffs is to protect domestic industry. Agriculture in India is sui generis and like no other major country in the world. Around 50 percent of India’s mammoth population directly or indirectly depends on agriculture. Besides, agriculture in India is not mechanized and land holdings are so small that farming is about survival and not about commerce. Asking India to open its farm sector to imports is akin to asking it to commit suicide, which no elected government in India would agree to. This demand is especially egregious since Western farmers are beneficiaries of direct and indirect subsidies.

    Given all of this, India does maintain relatively high tariffs for agriculture products, average rates of around 33 percent on meat, dairy, fruits, and cereals. But this is not surprising if you consider the fact that the European Union’s average rate is 37.5 percent on dairy products going up to 205 percent, and up to 261 percent on fruits and vegetables. Compare this with Japan whose rate is 61.3 percent on dairy products, going up to 298 percent, and up to 258 percent on cereals, and 160 percent on meat and vegetables. Or South Korea, whose average is 54 percent on agricultural goods with 800 percent on vegetables, and 300 percent on fruits. Who is the tariff king in agriculture, you might ask? As for automobiles, this sector creates mass employment and is crucial for that reason.

    Even India’s simple average tariff levels at 15.98 percent is in line with global norms for developing economies. Bangladesh (14.1 percent), Argentina (13.4 percent), and Türkiye (16.2 percent), which are all countries with comparable or higher GDP per capita, maintain similar or higher tariffs.

    On the U.S. saying their exports of non-agricultural products face tariff barriers in India, it is worth noting that U.S. exporters often face equal or lower tariffs in India compared to many Asian peers. In electronics and technology for instance, India has 0 percent tariff on most IT hardware, semiconductors, computers, and associated parts, with average tariffs of 10.9 percent on electronics and 8.3 percent on computing machinery.

    In comparison, Vietnam has a tariff of 8.5 percent on electronic equipment, going up to 35 percent. China has a tariff rate of 5.4 percent going up to 20 percent on electronics, and up to 25 percent on computing machinery. And Indonesia has a tariff rate of 6.3 percent on electronic equipment, going up to 20 percent, and up to 30 percent on computing machinery.

    It is true that India maintains justifiable tariff protection for its agricultural, dairy, and auto markets for valid reasons. But its trade-weighted applied tariff in other sectors does not justify it being called a “tariff king” at all.

    Dr. Mohan Kumar is a former Indian ambassador and is director general of the newly established Jadeja Motwani Institute for American Studies at the OP Jindal Global University.

    The views expressed in this article are the writer’s own. — Newsweek

  • Lilting Traditional Strings from a Beloved Father-Son Duo

    Lilting Traditional Strings from a Beloved Father-Son Duo

    HOUSTON: Vidwan Sri Vittal Ramamurthy’s association with Houston is 40 years long, as he himself noted, having presented his first concert here in 1995 (with Vidushi Bombay Jayashree), and having visited here almost every year in those 40 years (with the exception of 2 years). The US musical family of Vittal Sir (as he is fondly known in the Houston music community) has grown immensely in these years and so has his own family! This 2025 concert in Houston was presented by him, not only as a stellar musician of the brilliant Lalgudi bani, but also as a proud father alongside his immensely talented star son, Srihari Vittal.

    The unique father-son concert presented on Sep 7, 2025 at the divine Sri Sharadamba Temple’s Shankara Hall is part of a US fall concert tour coordinated by Layyasaaram Institute of Indian Arts  and SaMaa Arts, titled “Sampradaaya – Strings of Tradition” along with accomplished maestros Vidwan Sri Thanjavur Murugabhoopathi (mridangam) and Vidwan Sri S V Ramani (ghatam).

    True to its name and theme, the concert began traditionally with an impeccable rendition of the famous ata tala varnam, Viriboni in Bhairavi ragam. This was followed by a melodious and invocatory Sarasiruhasanapriye in Nattai which also gave us a first glimpse of Srihari’s prowess on the violin as he matched his father’s virtuosity in the shower of kalpanaswarams. Next came Sri Thyagaraja’s popular Marugelara O Raghava in Jayantasri ragam. It is amazing how a composition rendered purely on the violin can be presented so uniquely compared to a vocal rendition, and although Jayantasri has a fairly rigid structure with limited scope for variation, Vittal Sir’s violin brought out its charm beautifully, matching the bhaava of Sri Thyagaraja Swami’s cry of devotion to Lord Rama.

    Next in line was the beautiful Marivere Dikkevaru in Lathangi by Sri Patnam Subramanya Iyer. The piece began with a lovely alapana in this pure classical raga of different shades by Srihari, that elicited spontaneous appreciation from his father. And through the melody and rhythm of the composition and swarams, the rendition held the audience in rapt attention, swaying to the lilting strings of the violin duo along with the accented strokes of the amazing percussionists as all four of them vied with each other to drench us in a musical shower.

    Then came the supremely sublime Janani Ninnuvina in Reetigowla, Sri Subbaraya Shastri’s heartfelt ode to the Divine Mother. The magnificently mellifluous composition combined with the delicate and deep nature of raga Reetigowla, and the flowing magic that Vittal Sir can create with his instrument, bringing forth music that is deep, subtle, resonant and uplifting at the same time, touched a chord in every listener’s heart.

    This was followed by a special offering to the temple’s deity, Sringeri Sharadamba, through a composition that praised Her – “Sangeetha Samrajya Sancharini, Sringara Sringeripuravasini” in Mohanakalyani.

    The main piece of the evening was Sri Thyagaraja’s monumental Chakkani Raja Margamu in Kharaharapriya, where he glorifies the beautiful ‘royal’ path of Bhagavata Dharma and Bhakti – which is chanting the divine name of Rama, listening to His stories and enjoying His form – and asks why one would ever struggle and get lost in the by-lanes of other difficult paths when there was this royal, smooth and joyful road to salvation! Vittal Sir’s profound and moving Kharaharapriya alapana brought forth Sri Thyagaraja’s heartfelt compassion seeing all the people lost in the mire and confusion of the world, when there was the ready royal Rama Nama road to happiness. The numerous sangathis of Kharaharapriya that the composition is famous for, were beautifully presented, again wonderfully uniquely in violin compared to vocal renditions. The neraval, swarams and koraippu were of course splendid and made even more enjoyable through Vittal Sir’s own enjoyment of the music being created on stage. Srihari superbly matched and complemented his father’s proficiency, creativity, and passion in the music.

    Vidwan Murugabhoopathi’s skillful and strong mridangam sang along with the sangathis and swarams while Vidwan Ramani’s expert ghatam enhanced the presentation through exceptional melodic rhythms that are exclusive to this exquisite instrument. A thani avartanam with both mridangam and ghatam is especially joyful to listen to, and when performed by such experienced artistes as these two vidwans, the interplay between the two instruments (including a segment of single-handed subtle strokes by Vidwan Murugabhoopathi) with the gradual buildup to the korvai crescendo took the listeners on a truly joyful ride.

    The latter part of the concert included a couple of lovely and popular compositions that are particularly enjoyable as instrumental renditions – a soulful Manasa Sancharare and a poignant Enna Thavam Seidhanai Yashoda preceded by a brief Kapi ragam by Srihari that pulled at the heart strings.

    Right before the finale, Vidushi Kruthi Bhat came on stage to lead an offering of the song, Garuda Gamana Tava Charanakamalamiha, composed by Sri Sringeri Sharada Peetham’s Sri Bharathi Tirtha Mahaswamiji, to commemorate his 75th Varadhanti Mahotsava.

    The audience as well as the musicians, who were both enjoying the music immensely, then reluctantly came to the conclusion of the concert, which was also a treat to the ears with the sweet Behag Tillana, a shining star in the long lineup of dazzling tillanas by Sri Lalgudi Jayaraman.

    The father-son duo with their accomplished accompanists will continue their concert tour of the US through the fall, in various cities around the country. See the full schedule here and make sure to catch them in a city near you: https://carnaticamerica.com/series/vittal-ramamurthy-srihari-vittal-tour-fall-2025/

  • ‘Inspector Zende’:

    ‘Inspector Zende’:

    By Archika Khurana
    Story: International con-man Carl Bhojraj (Jim Sarbh) escapes prison and resurfaces in Mumbai, reigniting a tense cat-and-mouse chase. Inspector Zende (Manoj Bajpayee), relentless and sharp, must outwit the charming yet dangerous fugitive before his deceptions spiral into chaos once again.
    Review: Crime thrillers based on real-life criminals are not new to Indian cinema. Charles Sobhraj, the infamous “Bikini Killer” or “Swimsuit Killer,” has inspired countless books, documentaries, and adaptations—from Main Aur Charles (2015) to Netflix’s
    The Serpent (2021). Yet,  Inspector Zende takes a refreshing detour, shifting the focus from the notorious conman to the unsung hero who caught him—Mumbai’s IPS officer, Madhukar Bapurao Zende.Set against the gritty backdrop of the 1970s and ’80s, the film dramatises Zende’s relentless pursuit of Carl Bhojraj (a fictionalised version of Sobhraj). Twice, the officer managed to apprehend this elusive fugitive—first in 1971 and again after his infamous escape from Tihar Jail in 1986. This film isn’t just about a cop chasing a criminal; it is about persistence, street-smart policing, and the triumph of instincts over technology in an era without CCTV or digital forensics.
    Writer-director Chinmay D. Mandlekar deserves credit for avoiding the temptation of a dark, gritty biopic. Instead, he opts for a lively, humour-infused narrative, making the film less about grim realities and more about the spirit of policing in a pre-digital Mumbai. Mandlekar manages to create a 112-minute adventure that balances fact with creative flourish. His recreation of Mumbai’s streets, fashion, and energy of the 70s–80s feels authentic, giving the film a nostalgic pull.
    The heart of the film, however, lies in its performances. Manoj Bajpayee, as Inspector Zende, is both understated and commanding. He imbues the character with earthy simplicity, conviction, and a dash of humour, steering clear of over-the-top heroic tropes. His scenes occasionally evoke memories of his role in The Family Man, yet Zende is distinctly his own man—more grounded, more real. Opposite him, Jim Sarbh revels in the flamboyance of Carl Bhojraj. Smooth-talking, magnetic, yet sinister, his portrayal ensures that the fugitive is as compelling as the officer chasing him. Supporting actors Sachin Khedekar (as DGP Purandare) and Girija Oak (as Zende’s supportive wife Viju) add depth, with Oak and Bajpayee’s chemistry lending warmth to the otherwise cat-and-mouse drama.

    What sets Inspector Zende apart from other true-crime thrillers is its tone. Rather than brooding intensity, it embraces levity, almost positioning itself as a family-friendly thriller. This choice may divide audiences—purists might find it tonally inconsistent, while others will enjoy its light-hearted, accessible approach. At times, the humour risks undercutting the gravity of the real crimes, but it undeniably makes the film more engaging for a wider audience.In the end, Inspector Zende is neither a strict biopic nor a fully fictional caper. It stands somewhere in between—part homage to a forgotten police hero, part entertaining period chase. It deserves a watch for its lively tone, strong performances, and nostalgic recreation of a bygone Mumbai. — ToI

  • Kirtan Fest Houston 2025: A Youth-led Celebration of Devotion, Music & Community

    Kirtan Fest Houston 2025: A Youth-led Celebration of Devotion, Music & Community

    HOUSTON: Kirtan Fest Houston 2025 marked the powerful return of one of the community’s most beloved celebrations. Organized by the youth of ISKCON Houston, the festival brought together thousands of people for a weekend filled with sacred music, flowers, devotion, and community spirit. Over three days, more than 2,500 people attended the event, experiencing the joy of kirtan and the warmth of a community united in service.

    The centerpiece of this year’s festival was the Flower Festival on Sunday night, held in honor of Radhastami, the appearance day of Srimati Radharani. More than 2,300 people gathered on this night alone, making it the largest Flower Festival in North America. Over 30,000 flowers were offered in a joyful abhishek, showering the deities and the crowd in color and fragrance. The atmosphere was electric as the temple became a living garden of devotion, celebrating the beauty and mercy of Radharani’s birthday.

    Across the weekend, participants were immersed in 31 hours of kirtan led by renowned musicians from around the world. The sacred chanting created a spiritual sanctuary where people of all backgrounds connected through sound. This global gathering of musicians gave the festival an international spirit while remaining deeply rooted in Houston’s local temple community.

    Service was another hallmark of the festival. More than 4,200 meals were served, ensuring that everyone who came was nourished and cared for. From volunteers preparing prasadam (food) to youth coordinating logistics, the entire event reflected the community’s values of hospitality and service.

    Kirtan Fest youth organizers

    Support for the festival was also evident in the overwhelming enthusiasm for merchandise, which sold out completely, with 80 percent gone on the very first day. Beyond those present, Kirtan Fest Houston reached far wider, with more than 90,000 impressions across social media, allowing thousands more to join virtually in the celebration of Radhastami.

    What makes this year especially significant is that the festival was revived after a long hiatus by the youth of ISKCON Houston. For the organizers, it was an offering of gratitude to the temple and culture that shaped their childhoods. By stepping forward, the youth showed that tradition is alive, growing, and being carried into the future with devotion and energy.

    Kirtan Fest 2025 was more than a festival, it was a testament to what is possible when love, music, and community come together. It is a way to bring people together, to celebrate through sacred music and flowers, and to show how youth can play an active role in sustaining traditions while making them accessible for future generations. With thousands attending in person, tens of thousands of impressions online, and every detail infused with service, the festival has set a new standard for what a youth-led celebration can be.

    For continued updates on this year’s festival and future events, please follow @kirtanfesthou and visit kirtanfesthou.com

  • “Concert for a Cause” Brings Community Together for Music and Mission

    “Concert for a Cause” Brings Community Together for Music and Mission

    Fiji-born Sumeet Tappoo enthralled the capacity audience with popular Bollywood songs. He is currently studying under famed bhajan singer Anup Jalota

    By Ajit Paralkar

    HOUSTON The spirit of compassion and unity filled the air on Friday, August 29, 2025, as music lovers from across Houston gathered at India House for the much-anticipated Concert for a Cause, presented by the One World One Family Foundation.

    The evening featured internationally acclaimed vocalist Sumeet Tappoo, whose golden voice transported a packed audience through the timeless melodies of Mohammed Rafi, Lata Mangeshkar, Kishore Kumar, Mukesh, and Jagjit Singh. Backed by a team of world-class musicians from Mumbai, Tappoo’s performance was both a nostalgic journey and a celebration of India’s musical heritage.

    Houston-based Payel Mitra sang iconic Lata Mangeshkar melodies. She was one of top singers on the Sa Re Ga Ma Pa talent show

    Adding a special hometown touch, Houston’s own Payel Mitra also graced the stage with a captivating performance that drew warm applause and highlighted the depth of local talent within the community.

    The sold-out event was not only a musical feast but also a heartfelt initiative to raise awareness and support for the construction of the world’s largest free 600-bed rural hospital in Muddenahalli, Karnataka, India. Once completed, the hospital will provide free healthcare to children and families in need, embodying the vision of “love in action” through accessible medical care.

    Sumeet Tappoo (center) with the principal One World One Family Foundation volunteers and their guests.

    Tappoo, who has long used his music as a platform for service, reminded the audience that “love in action” is the true heartbeat of the initiative. “Music can touch hearts,” he said, “but it is service that truly heals lives. Tonight, we are uniting both.”

    The evening was made even more special by its warm sense of community. Guests shared a boxed dinner before the show, and were visibly moved by both the artistry on stage and the meaningful mission behind the concert. “This was more than just a concert,” said one attendee, visibly moved by the performance. “It felt like a gift; every note carried a deeper meaning because it was tied to such a noble cause.” The sold-out crowd responded with ovations, clapping and singing along to beloved hits that spanned generations.

    Concert’s finale had the guests dancing!

    The grand finale turned the hall into a celebration. As Sumeet Tappoo and the band launched into a medley of upbeat Bollywood numbers, the audience could not stay in their seats, many jumped up to dance in the aisles, clapping and swaying to the infectious rhythms. Smiles and laughter filled the room, ending the night on a joyous, high-spirited note.

    Organizers expressed deep gratitude to the audience, volunteers, sponsors and the local Indian radio and print media whose support made the evening an outstanding success. The event stood as a reminder that music, when combined with compassion, can become a powerful force for global good. “The support we saw tonight is a testament to Houston’s spirit of giving,” said Vivek Mahadevan, a Board member of the One World One Family Foundation. “Together, we can build not only a hospital but also a future where healthcare is a right, not a privilege.”

    As the final notes echoed through the hall, the message was clear: when music and compassion join hands, they can heal the world.

    Visit www.oneworldonefamily.foundation to learn more about this noble endeavor.

  • Osmania University Alumni Reunion Delivers Musical Memories

    Osmania University Alumni Reunion Delivers Musical Memories

    Osmania local organizing committee

    HOUSTON: The Osmania University Alumni Association celebrated with warm camaraderie an enjoyable dinner and musical event on Saturday, August 23, at India House for nearly 200 graduates and friends of the prestigious Hyderabad, India based institution.

    The highlighted by performances from renowned, award-winning Indian singer Ramana Cheelam who was on a US tour and acclaimed local vocalist Sarada Akunuri. Their flawless performances of vintage Hindi and Telugu songs had the guests nodding their heads and shuffling in their seats in appreciation. Appetizers and dinner were catered by Biriyani Pot on Westheimer.

    President Harinath Medi welcomed the alumni to the dinner and musical event.

    Founded by Osmanians in the United States, the Association is led by President Harinath Medi of Houston. Over the past dozen years, the group has hosted multiple cultural evenings in conjunction with visits from four Osmania University Vice Chancellors, including a 2022 celebration during the visit of former VC Prof. Ravinder.

    The local organizing committee – Harinath Medi, Showri Nanadagiri, Mahendra Korivi, Jeevan Pulijal, Bala Asawa, and Viren Kumar, along with their spouses—handled event planning and logistic.  Korivi welcomed attendees, with his characteristic humorous wit.

    In his opening remarks, Medi talked with affection of his ols Alma Mater. “With the iconic Arts College, the towering Osmania Library, the majestic Ravindra Auditorium—and the splendid colleges led by scholarly teachers, one feels Mother Saraswathi chose Osmania as her abode,” Medi exclaimed. “The Gardens perfume the air; a tranquil lake mirrors the sky; the flower plants,  towering trees; rocks and boulders and expansive wilderness appears as if Mother Nature herself decorated the Campus tastefully.”

    Singers Sharda and Cheelam

    Under Medi’s leadership, the national Alumni Association has delivered tangible impact on campus, including a Computer Center in the Arts College (with lead support from Aziz Jamaluddin); a Seminar Hall in the Science College (with lead support from Kris Raju), and few student scholarships.

    Additional fundraising is underway for new projects now in planning satges. “There is tremendous potential ahead,” Medi said, adding “our team is committed and dedicated to accomplishing the goals we’ve set.”

     

  • TCC TAPED BALL SPRING PROF 2025 | WINNERS: ALL STARS CC | RUNNERS-UP: BIG12

    TCC TAPED BALL SPRING PROF 2025 | WINNERS: ALL STARS CC | RUNNERS-UP: BIG12

    Winners: All Stars CC

    HOUSTON: In a historic showdown, All Stars CC clinched their first-ever TCC Taped Ball Spring Professional Championship for Div II teams defeating the formidable Big 12 in a low-scoring final that showcased discipline, firepower, and composure.

    Big 12 won the toss and chose to bat first, posting a modest 105/9 in 20 overs. Their innings never gained momentum, thanks to a relentless and balanced bowling attack led by Thisara Ishan, who removed key batter Neeraj early and went on to claim 3 wickets for 21 runs, delivering searing pace and pinpoint accuracy. He was well supported by Tanmay Shah, Archit Shah, and Roshaka Rajapaksha, each maintaining tight lines and pressure. A fighting 30 off 36 by Varun Satyanarayana was the only resistance, helping Big 12 reach a competitive total.

    Runners Up: Big 12

    Chasing 106, All Stars openers Chathura Silva and Nishant Padhiar provided a steady foundation. The chase was anchored further by Roshaka Rajapaksha (34) and Archit Shah (34), with Nishant Padhiar contributing 26, guiding All Stars to a comfortable victory with eight wickets in hand. Arun Indugula and Prabaharan Devadoss picked up a wicket each for Big 12.

    Led by the cool-headed captain Manoj Warnapura and dynamic vice-captain Thisara Weerasekara, All Stars finally ended their title drought, lifting the trophy in style.

    The final was followed by a lively presentation ceremony, hosted by TCC organizer Jagadish Biradar. Dinesh, the co-organizer was thanked for his flawless volunteering activity of scheduling. Roshaka Rajapaksha of All Stars was the MOM for the final for the match-winning effort of 2 wickets and 34 runs. He was also the Man of The Series. The Winners’ Trophy was received by All Stars Captain Manoj Warnapura, while the Runners-up Trophy was accepted by Big12 captain Arun Indugala. Ojas from BHCC was best batsman with 325 runs, Roshaka from All Stars was the best bowler with 14 wickets, Pavan from Javelinas-Genx was the best keeper with 27 dismissals, Ojas from BHCC was best allrounder with 325 runs and 8 wickets, Aneesh from Big12, Manik from TG Titans and Ojas from BHCC got special awards for centuries, Vivek from Neo Spring Vireos got a special award for Hat trick

    The TCC Spring 2025 Prof Final will be remembered for All Stars’ rise to glory and a tournament filled with standout performances and fierce competition

    Cricclubs score card is https://cricclubs.com/3T/viewScorecard.do?matchId=2583&clubId=8675

    YouTube link is at https://www.youtube.com/watch?v=jBOORRcDwH8

    Report on TCC Taped Ball website is at https://triggerscricket.com/?p=1104

  • ‘Param Sundari’: Charming Chemistry Anchors this Rom-Com

    By Dhaval Roy
    Story: Param Sundari is a cross-cultural love story between Param Sachdev (Sidharth Malhotra), a brattish North Indian boy, and Sundari (Janhvi Kapoor), a responsible and simple South Indian girl. Despite their contrasting personalities, traditions, and expectations, Param is convinced they are soulmates. But there’s more to their love story. Will love truly blossom for the duo?
    Review: Param wants his dad (Sanjay Kapoor) to invest in his dating app, but the pakka businessman senior first wants proof of concept, like the biggies in ‘fish tank’ (shark tank). If Param can find a soulmate online in a month, he can have the money. He matches with Thekkepattu Sundari Damodaram Pillai, or Sundari, in the beautiful and sleepy town of Kerala. As he reaches there, he is instantaneously smitten. But Sundari is less than impressed with him and his friend, Juggy (Manjot Singh) who can’t tell one South Indian from the other—not even Rajinikanth from Mohanlal. However, Param and Sundari take a liking for each other, but there are more roadblocks—Sundari is set to be married to Venu Gopal (Siddhartha Shankar), and she is miffed about being a part of Param’s business experiment. Can the Delhi boy win her over?

    Director Tushar Jalota’s film doesn’t tread new ground and leans on familiar tropes, yet it offers a light, watchable romantic fare. The narrative is predictable, but moves at a steady pace. The build up in the first half offers some light moments that will keep you engaged.

    What works in the film’s favour are the picturesque Kerala backdrops, tender moments, and Sachin-Jigar’s music—particularly Pardesiya, Danger, and Sundari Ke Pyaar Mein. The humour is light in parts, though not every gag works equally well.The real highlight is the charming chemistry between Sidharth Malhotra and Janhvi Kapoor, who make the opposites-attract arc believable and enjoyable. The actors light up the screen with their presence, especially Janhvi who looks gorgeous in the traditional Malayali avatar. Sanjay Kapoor, Manjot Singh, Renji Panicker, and Siddhartha Shankar lend able support.

    Even if it largely remains in the known territory, fans of breezy romances will find it a pleasant watch. — ToI
  • ICC Celebrates “Vijayee Bharat – Victorious India” with Huge Crowds

    ICC Celebrates “Vijayee Bharat – Victorious India” with Huge Crowds

    STAFFORD: The Indian Culture Center, under the leadership of President Parul Fernandes, proudly hosted a vibrant celebration of India’s 79th Independence Day on Sunday, August 17, at the Stafford Center. The six-hour event, from 1 to 7pm, brought tin large crowds of the local community to honor India’s rich heritage and indomitable spirit of freedom.

    ICC President Parul Fernandes (left seated) with VIP guests and ICC leaders.

    The event was chaired by Dr. Divyendu Singh, and showcased an elaborate cultural program meticulously coordinated by Cultural Program Chair, Jasmeeta Singh. The Consul General of India, D.C. Manjunath, was the chief guest, and several mayors and elected officials from across the Greater Houston area, as well as representatives from government agencies and the judiciary, joined in the celebration, an acknowledgement of the strong presence of Indo-Americans in Texas.

    A solemn moment of silence was observed in memory of the victims of the Pahalgam attack in India. The theme “Vijayee Bharat – Victorious India” of the event paid tribute to the valor of India’s armed forces in the annihilation of terrorists in the Sindoor Operation and the resilience, achievements, and leadership of Indian women across society. The stage décor and other displays reflected this dual theme in striking ways: an LED backdrop with images of sindoor highlighted ‘Operation Sindoor’; side drapes adorned with bindis; and a photo booth, featuring aircraft imagery.

    ICC President Parul Fernandes (left seated) with VIP guests and ICC leaders.

    The venue offered a true festival experience with over 51 booths showcasing traditional Indian clothing, jewelry, and handicrafts and Indian street food stalls served favorites such as chaats, bada-pawa and samosas, kulfi and ice cream treats

    Patriotism was in the air from the moment one entered the Stafford Center. The ‘Har Ghar Tiranga’ photo booth caught one’s eye and a grand display of 21 photos provided by the Consulate of India, noted the origin and history of Tiranga (the Indian Flag) was informative. ICC’s complete team did an amazing job in putting all this together. Naeem Vahveria, the Cultural Co-Chair; Raghvender Sengar, the Food and Volunteer Chair; Phani Kondapi the Booth chair; VP K.D. Upadhaya and Hemant Patel in charge of Sponsorships; Sangeeta Dargan in charge of Decorations and Gifts; Gaurav Javeri in charge of Awards and Scholarships; Bharat Patel in-charge of inviting dignitaries; Santosh Verma and Manoj Nair helped with the backdrop slides and, overall supervision was conducted by the President Parul Fernandes. Superkind Trustee Praful Gandhi held the fort by volunteering and welcoming the guests.

    ICC executives with scholarship award winners.

    The car park was overfull, and people parked in the HCC compound to come to ICC’s I-Fest because they wanted to relive the happy and unique experiences of India long ago etched in their minds. The event began with Patriotic Songs sung by the Joshi group, Shyam Sunder, Parasi Sarayu, Anuradha, Rashmi Pande, our very own Jasmeeta Singh, and Soma Ghosh.

    The cultural program filled the hall with color and energy, with a wide array of performances, from classical dances to vibrant Bollywood sequences. Dance presentations from various Indian states highlighted the nation’s diversity, while friendly competitions across multiple age groups added excitement, with winners recognized on stage.

    ICC Vice President Dr. KD Upadhaya welcomed Chief Guest M.C. Manjunath who emphasized the progress India has made and that it is now ranked fourth in the economic scale. A video from Prime Minister Narendra Modi’s encouraged every Indian to observe a minute of silence for those soldiers who laid down their lives defending their Motherland.

    A surprise appearance of mechanical robot with LED lights gave gifts to Manjunath and all the dignitaries.

    Scholarships were given to high schoolers entering the world of college education. ICC Scholarship Donors Col. Raj Bhalla and Lachmandas have donated $100,000 each for school kids entering college. A new scholarship from IACFF has been added to give two more scholarships, thanks to the committee chaired by Swapan Dhairyawan, Trustee Charlie Patel, Chief Trustee Hasu Patel, Director Raghvender Senger and Parul Fernandes. Gaurav Jhaveri also participated along with the team for Lachmandas scholarship.

    This year, the Bhalla Outstanding Student Scholarship of $5,000 went to Shawn Ray and the Lalitha Das Outstanding Female candidates for the STEP program went to two young girls, Ananya Pathak and Eesha Kondavatikanti. Two more scholarships were given by IACCF to Anay Gupta and Tapisar Singh.

    The cultural program began with a special presentation by the ICC group showcasing the celebration of “Vijayee Bharat” from Kashmir to Kerala. Jasmeeta Singh performed on stage a zestful Punjabi Bhangda. Naaem Vehvaria also joined in the finale with the entire group giving patriotic vibes on Vande Mataram.

    This was followed by ICC Elite Dance competition exhibiting versatility and diversity of different forms across India. Eighteen schools participated and Kathak to Bollywood styles were magnificently performed.  The Winners Trophy  went to“ Dil Se”, Story Tellers, Pardesi Pulse, Bollywood  Dancing Stars, andThangaat. The audience voted through a QR Code  with prizes going to Basant Rituraj and SPARK -Rasadhara. A diamond ring and trophies were awarded to competition sponsored by Karat 22, Alings Restaurant, Pooja Agarwal and Dipika Contractor.